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This collection of five marquetry furnishings in Indian Rosewood features intricate and fine multi-colored laser-cut inlays in a bucolic farm motif. With its brightly-coloured symmetrical, ‘book-matched’ inlays, the pieces depict bountiful scenes of farm life, including red barns and silos, horse corrals and dog houses, sunflowers, vegetables, pigs, chickens, and other such iconography. While inspired by 17th and 18th century Bavarian hand-painted furniture and embracing the age old technique of marquetry, Studio Job employed modern technology to laser cut the inlays to achieve a flawlessly executed design and an almost seamless surface. The collection is offered in a limited edition of six pieces per model exclusive internationally to Moss.
Nynke Tynagel and Job Smeets of Studio Job offer Bavaria fresh off the heels of critical and commercial debuts of 2007 which included “Homework” a series of seven bronze sculptures, and “Robber Baron,” five monumental bronze furnishings introduced by Moss at Design Miami 2007. Studio Job was the subject of “Bold” the design team’s first retrospective at the inaugeral exhibition of the design museum Designhuis in the Netherlands and at the “Z33” exhibition in Belgium. They were the solo focus of Moss’s selection for Design Miami/Basel where pieces from “Robber Baron,” “Perished” and the complete suite of “Homework” were exhibited. The marketplace has responded to Studio Job’s signature of blurring lines between art and design as well, with their inclusion, along with works by Ron Arad and Shiro Kuramata, in Christie’s London Fall auction of blue chip contemporary fine art, “Post War & Contemporary Art” sale, the first time Design was included in such a sale. |
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